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Return of the Copperhead | Script Notes |
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#1001 EP. 1-7.
22. EXT CORNER OF HARVARD STREET & INSTITUTE ROAD: LONG FULL
The heavies' car #2 comes tearing up the street and rounds
the corner racing TO and PAST CAMERA. FOLLOW THRU with
Bob's car #3.
23. EXT. LANCASTER STREET: LONG FULL (PAN POSITION)
Heavies' car #2 races INTO and OUT of scene, then Bob's car
#3 ENTERS scene and CAMERA PANS with it as the two cars
race to B.G.
24. EXT. UNDETERMINED STREET #1: LONG FULL TRAVEL (PAN POSITION)
This street should be bordering on the suburbs. There are
bushes and trees at roadside. Heavies' car #2 races IN
from one side and CAMERA PANS it OUT the other. CAMERA
RETURNS for run thru with Bob's car #3.
25. EXT. ENTRANCE TO HIDDEN ROAD: LONG FULL (PAN POSITION)
This should be a paved road with bushes lining the edges by
means of which a driveway can be easily concealed. The
heavies' car #2 races into scene and turns toward the
bushes at roadside. A moment later the bushes swing aside
revealing a driveway and car #2 roars through the opening
and the bushes close behind it. CAMERA then PANS back
down the street and picks up Bob's car #3 as it races into
scene. HOLD on bushes as car #3 drives by.
(TRACK FOR ABOVE CHASE FROM "CRIMSON GHOST" EP. 5 END)
26. INSERT: INT. HEAVIES' CAR #2: CLOSE (PROCESS OR WIDE ANGLE)
On Corey's hand turning knob or dial on dashboard.
27. INSERT: EXT. ENTRANCE TO HIDDEN ROAD: CLOSE
Shot of antenna device on tree, presumably near driveway.
28. INT. HEAVIES' CAR #2: CLOSE FULL (PROCESS OR WIDE ANGLE)
RUN FOR CUTS of Corey driving and Greg, who fires one shot
back, glancing anxiously back. Include Corey turning dial
on dashboard.
29. INT. BOB'S CAR #3: CLOSE FULL (PROCESS OR WIDE ANGLE)
RUN FOR CUTS of Bob driving, watching the car ahead. He
fires one shot ahead. Finally, he looks about for the car.
30. EXT. BANCROFT TOWER: LONG FULL (ESTABLISHING SHOT)
This is presumably the headquarters of The Raven.
31. EXT. BANCROFT TOWER: LONG CLOSE (PAN POSITION)
On heavies' car #2 as it pulls up driveway and stops in
front of building. Corey and Greg get out, look about,
and start to enter building, CAMERA PANNING.
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Script Notes |